Caitríona O'Leary and Dúlra
This unique ensemble is made up of musicians from both Irish traditional and early music genres. It performs authentic Irish music from both the oral tradition and from 17th and 18th century sources.
Singer Caitríona O'Leary formed Dúlra in 1998 to perform Irish song in a new way. Using her performance experience of medieval music, she has applied many of its principles to her own native music. The result is a shimmering liquescence of melody, unhindered by a rigid tempo or conventional harmony, structured, rather, on the rhythm of the Irish language and the flow of the modal line. The stark simplicity of this delicately floating melodic line is enhanced by the uncluttered accompaniment by the distinguished instrumentalists of Dúlra.
Dúlra, is one of Ireland’s most exciting and groundbreaking Traditional music bands. Dúlra brings to the world stage an exotic and powerful new dynamic for Traditional Irish song. Sources from the renaissance to the present day create the soundscape for a unique and compelling approach to Traditional Irish music.
Ansacht na nAnsacht - Love of Loves at Beethovenfest, Bonn 2013
The concert in the Church of St. Evergislus Brenig on Friday night was an experience of a special kind. The Irish ensemble Dúlra presented to around 180 listeners native folk music from the Renaissance to modern times. Under the theme "Ansacht na nAnsacht - Love of Loves", Caitríona O'Leary sang of the rich and complex facets of love.
The Dublin singer not only scoured archives to unearth old, almost-forgotten melodies. She herself keeps traditional Irish music alive. Her passion for music sung in Gaelic was seen and felt in her stance, in her facial expressions and not least in her interpretations of the songs.
Even if the audience understood nothing linguistically, the sometimes happy, sometimes sad, sometimes sentimental songs illustrated whether it was a lullaby, a suciide or a lament for the dead With a clear and concise voice O'Leary gave an insight into the mentality of her countrymen.
It was a premiere for the ensemble as well as for the audience because it was the first time the Irish were at the Beethoven Festival. And visitors love it. Whether as sung, a capella pieces or with light musical accompaniment, O'Leary's voice always formed the main instrument. Because the music shows a special vocal art, Sean-nós singing.
This promises music in the old style, in which the voice is clear, sometimes nasal and very direct. In this singing style, O'Leary is a master. She created a subliminal hum by the elongation of some consonants, so that the emotions of the text were generated. The playful skills of the ensemlve were grandiose. Oustanding was th Itealian percussionist Andrea Picciono, who presented a melodic game with two hands on his "bodhrán", the Irish frame drum
The Irish violin, the fiddle (Adrian Hart), the "uilleann", Irish bagpipes, played with the elbow and used by Éamonn Galldubh in a fantastic solo, also reinforced the medieval character of the music through their limited tonal range. "It was a wonderful concert. The audience was thrilled," said Helmut Pojunke, Commercial Director of the Beethoven Festival.
Susanne Träupmann, General-Anzeiger Bonn, 27.09.13
Ecstasy, Irish Songs of Joy at Beethovenfest, Bonn 2013
Beyond jigs and reels there exists another dimension to Irish traditional music; this music and tradition is called sean nós, Gaelic songs in the "old style" which originate from the Middle Ages ad the Renaissance, they are simple yet so beautiful.
It was this repertoire that was featured in the Volksbankhaus for an evening of a very special kind by Catriona O'Leary and the quartet Dúlra. O'Leary performed these songs from her homeland - which are not for the pub but rather reserved for very special intimate occasions - with a radiant clarity and a sensitive and minimalist accompaniment from Dúlra. Everything was geared towards featuring O'Leary's impressive vocals which were characterised by perfect intonation and her ornamentation of the ancient melodies.
The chamber music character of the concert yielded nothing but advantages. This format resulted in O'Leary dispensing with greeting or speaking to the audience. Whereas during the first half of the concert this approach seemed stiff and distanced, as the concert progressed Dúlra was given more reign, creating a lively and energetic second half to the evening. While the programme included many slow songs justice was done to the title Ecstasy, Irish Songs of Joy. this was especially true for bodhrán and tamburello player Andrea Piccioni whose performance was greeted with enthusiasm.
Catríona O'Leary enchanted the audience with the moving "Ceann Dubh Dilis" while the musicians of Dúlra (in addition to Piccioni, Adrian Hart on the violin, Éamonn Galldubh on flute and uilleann pipes, as well as Kate Ellis on cello) continued to turn up the gas with their playing.
Thomas Kölsch, General-Anzeiger Bonn, 26.09.13
Ecstasy (Heresy 002/Naxos)
The recommendation on the back-cover states: “File under Traditional /World Music”. This target-group-definition for the pop market might obstruct the path to a larger audience for Dúlra (fiddle, cello, flute, percussion and other acoustic instruments), because with her Gaelic songs from the 16th to 18th century, the Irish singer Caitríona O’Leary is able to please fans of classical “Lieder”, too. Her natural voice comes without frills and sounds at all times effortless. As well, there is never a danger that the archival material on the album is performed in an academic way.
Although this repertoire calls for it, the ensemble is not tempted to pander to the esoteric scene. Instead fans of Celtic Folk-Rock will get their money’s worth - when the urge for dancing and celebration rises up - in the rousing instrumental pieces performed by this band of soloists.
In addition to the performances, the production team has made a perfect choice by recording in a church, which leads to an ideal balance between translucent delicateness and lush substantial sound impression. Therefore, the recommendation “File under Audiophile” should be added to the back cover.
Winifried Dulisch, HiFi & Records (July 2012)
Das Magazin für hochwertige Musikwiedergabe
It was in [Caitriona O'Leary's] performance of Carolan’s lamentation for his dear friend MacCabe that O’Leary revealed a mastery of Irish singing, achieving Andrew Lawrence King’s ambition for the ensemble of taking the audience ‘on a journey- not just to a place, but also to a time.’
Jennifer Gall, The Canberra Times (May 2010)
… sung with haunting grace by Caitríona O’Leary.
Steve Moffat, The North Shore Times (May 2010)
Clive O’Connell, The Age (May 2010)
Peter McCallum, Sydney Morning Herald (May 2010)
Gillian Wills, The Australian (May 2010)
Le Monde de la Musique
“[O’Leary’s] caressing tones…fit seamlessly into a consistent fabric of sound and expression”
The Wall Street Journal
“The gentle tones of Caitríona O’Leary were lovely”
The Boston Globe
“Do not hesitate for a second! Caitríona O’Leary has one of those incredibly crystalline voices that roots you to the spot”
St. Louis Post-Dispatch
“Her singing style, clear articulation, and beautiful soprano voice – with or without accompaniment – are brought to great effect in these and all the songs in Dúil”
Irish Music Magazine
“I relished the flavors of the individual voices and characters…the focused calm of Caitríona O’Leary”
Boston Bay Windows
“Spreading a poignant pall over the proceedings, O’Leary’s lamenting voice rose and fell flawlessly, entrancing the audience with heart-wrenching songs.”
The Irish Echo
“Vocal grace, majestic formal fluidity, from traditional Irish ballads to early music: a disc (Dúil, Irish Songs of Love and Nature), which unites tradition and sensuality”
“Here is a disc (Dúil, Irish Songs of Love and Nature) that revels in the joy of singing and of making music and the joy of being alive”
“Wonderful interpretation by Caitríona O’Leary and her band”
“The clear voice, like a flowing river, and gracious silhouette, of Caitríona O’Leary has also accompanied the ensemble Sequentia and the Harp Consort”
“[O’Leary] creates an elegiac atmosphere with her clear voice and authentic Gaelic pronunciation”
The Plain Dealer
Caitríona O’Leary and Dúlra
Catalogue # HERESY002
A new and unique approach to Irish song from Caitríona O’Leary and Dúlra
In an album that unites tradition and sensuality.
DÚLRA’s debut album for Heresy features a scintillating selection of rarely heard and newly discovered Geantraí, Irish songs of joy and rapture. True to its name, Ecstasy, explores the diverse shades of happiness from exuberant full-throttle songs such as A Stór, a Stór and Spellsong to the most personal and intimate expressions of love and passion Sín Síos Suas Liom and Ceann Dubh Dílis. DÚLRA’s combination of ancient Irish mythic sounds and contemporary, early and world music fusions make Ecstasy a unique and fresh musical experience.
Caitríona O’Leary, Voice
Deirdre O’Leary, B-flat Clarinet, Bass Clarinet
Directed by Caitríona O’Leary
© Heresy Records Ltd
Caitríona O'Leary and Dúlra
Dúlra perform Ecstasy
St. John's Smith Square, London, June 2013
Caitríona O'Leary and Dúlra perform the Geantraí or Irish songs of joy and rapture from their Heresy-released album Ecstasy.
Caitríona O’Leary – Singer
Adrian Hart - Fiddle
Eamon Galldubh - Flute/Whistle
lioba Petrie - Cello
Frank Torpey – Bodhrán
Andrea Piccioni - Frame drums
Dúlra at Beethovenfest 2013, Bonn
26 September 2013: Ecstasy
27 September 2013: Ansacht na nAnsacht
Bonn's annual festival host two concerts by Caitríona O'Leary and Dúlra. The first is Ecstasy, a bouquet of songs and dances that express an irrepressible joy of life. The second is Ansacht na nAnsacht or Love of Loves, a programme of rarely-heard, passionate traditional Irish songs.
6 December 2013, Droichead Arts Centre, Drogheda
7 December 2013, Kevin Barry Room, National Concert Hall, Dublin
In 1684 Luke Wadding, Bishop of Ferns, published A Smale Garland of Pious & Godly Songs in Ghent. Fr. William Devereux in 1728 composed A New Garland Containing Songs for Christmas. These two collections along with the famous Enniscorthy Carol form the basis of the repertoire of Wexford carol singing (particularly in the parish of Kilmore) and, more significantly, the greatest body of Irish folk carols.
The Wadding and Devereux garlands contain lyrics for 22 Christmas songs. Approximately half of these carols are presently sung and many of them are sung to the same 3 tunes, for only 6 of the original melodies are extant.
The music for the remaining 16 carols is considered lost and unknown. Through her own research over the past 15 years, Caitríona O’Leary has discovered 4 additional melodies for the lyrics from the two garlands, she expects to find several more. Her research and exploration will be the basis of Wexford Carols. The programme will bring this overlooked and remarkable repertoire to the attention of the general public and result in public performances of the carols, many of which have not been heard for perhaps the past 200 years.
In their first Irish Tour Caitriona O'Leary and Dúlra performs music from their new CD ECSTASY (HERESY Records) – a spellbinding journey into a world of passion, joy and rapture. Thrilling instrumentals, hauntingly beautiful singing and arrangements that bring the past alive creating a new dynamic for Trad.
Venue: Lewis Glucksman Gallery, Cork