Celso Antunes wurde 1959 in São Paulo geboren. Er studierte Dirigieren an der Musikhochschule in Köln. Von 1994 bis 1998 war er Chefdirigent des Neuen Rheinischen Kammerorchesters in Köln sowie des belgischen Neue-Musik-Ensembles Champ-d’Action (1994 – 1997), mit dem er zahlreiche Kompositionen zur Uraufführung brachte. Als künstlerischer Leiter und Chefdirigent des National Chamber Choir of Ireland prägte er dessen Entwicklung von 2002 an so entscheidend, dass die Irish Times seinen Fortgang 2007 mit den Worten bedauerte, man müsse die Jahre mit Antunes im Rückblick als ein „Goldenes Zeitalter für professionellen Chorgesang in Irland“ bezeichnen.

Celso Antunes zeichnet eine beachtliche Flexibilität aus und das belegt auch sein breit gefächertes Repertoire: Es reicht von der Chormusik der Renaissance über Orchesterwerke des 18. und 19. Jahrhunderts bis hin zu zeitgenössischer Musik, die einen Schwerpunkt seines Schaffens ausmacht. So leitete er das Nieuw Ensemble, das Ensemble Moderne und das Tippett Ensemble, dem er auch heute noch als künstlerischer Leiter vorsteht, und dirigierte Uraufführungen u.a. von Michael Tippett, Wolfgang Rihm, Jonathan Harvey, Hans Zender, Brice Pauset und Lera Auerbach.

Seit vielen Jahren schon ist Celso Antunes im europäischen Konzertleben präsent. Engagements führten ihn u.a. zu den Donaueschinger Musiktagen, dem Flanders Festival, der Musikbiennale München, dem Kurt-Weill-Fest in Dessau und November Music in s'Hertogenbosch. Der Chef des Niederländischen Rundfunkchors arbeitet regelmäßig mit dem SWR Vokalensemble Stuttgart zusammen, den BBC Singers in London und dem Vlaamse Radio Koor in Brüssel. Unter den Dirigenten, mit denen er gearbeitet hat finden sich so namhafte Künstler wie Sir Simon Rattle, Zubin Mehta, Mariss Janssons, Charles Dutoit, Peter Eötvös und Sylvain Cambreling,

Celso Antunes wird als Gastdirigent von renommierter Orchestern, Chören und Ensembles eingeladen: So leitete er u.a. die Manchester Camerata, das Gelders Orkest, die Brussels Philharmonic sowie die NDR Radiophilharmonie Hannover. Auch in seiner brasilianischen Heimat ist Celso Antunes regelmäßig als Gastdirigent zu erleben, u.a. mit der Camerata Fukuda und dem Staatlichen Sinfonieorchester São Paulo (OSESP).

2010 ist Celso Antunes erneut in der Pariser Cité de la Musique zu Gast, wo er im Juni mit dem Niederländischen Rundfunkchor und dem Orchestre de Radio France Tristan Murails „Les sept Paroles“ zur Uraufführung bringt. Auf dem City of London Festival wird er im Juli mit den BBC Singers eine Komposition von Miguel Azguime uraufführen. Außerdem leitet Celso Antunes auf den Salzburger Festspielen das SWR Vokalensemble, das dort im August Wolfgang Rihms „Quid est Deus“ präsentieren wird. Weiterhin stehen in diesem Jahr CD-Aufnahmen für Hänssler Klassik und BIS an: Eingespielt werden Werke von Joaquin Turina mit der NDR Radiophilharmonie Hannover sowie die 3. Sinfonie von Dimitri Schostakowitsch mit dem Niederländischen Rundfunkchor. Als Gastdirigent gibt Celso Antunes sein Debut mit der South Jutland Symphony in Dänemark und den niederländischen Orchestern Radio Kamer Filharmonie und Holland Symfonia.

 

The conductor Celso Antunes had a dynamic thrust that was at times simply dramatic, his command of the orchestra and chorus was absolutely first-rate!

Belfast Telegraph

Igor Strawinsky: Symphony of Psalms
Concertgebouw Orkest, Cond. Zubin Mehta
Netherlands Radio Choir, Cond. Celso Antunes
On his second performance with the Concertgebouw Orchestra as guest conductor, 72 year-old maestro Metha generated subtle psalms, accurately shaped [Groet Omroepkoor, Cond. Celso Antunes]. Under his direction, Strawinskis score sounded noble and the performance resembled a spiritual experience.

Also with the Psalm symphony, Metha let music speak entirely for itself: Especially in the last part, when the Concertgebouw Orchestra and the sublime singing Groet Omroepkoor (Cond. Celso Antunes) seemed to melt in heavenly spheres, they created moments of unknown magic.

Hommage to Cathy Berberian, Robert-Schumann-Saal Düsseldorf
The "Tippett Ensemble", eleven excellent instrumentalists who were conducted with precision by Celso Antunes, who is especially committed to contemporary music - presented a crossover-programme that was worthy of Berberian.

ABOUT RAVELS "DAPHNIS ET CHLOÉ
(Philharmonie Berlin, April 08):
"Maurice Ravel's "Daphnis et Chloé" with the Radio Symphony Orchestra Berlin at the Philharmonie was a great event… excellent: the Radio Choir Berlin under Celso Antunes…"

 

 

"This music sounds intense and vivid, subtle and never overloaded … Above all, because the Belgian Het Spectra Ensemble under Celso Antunes’ competent direction were remarkably able to delve deeply into this highly dramatic work…"

“Drama, drama and more drama was the order of the night on Friday as the Ulster Orchestra performed Verdi’s Requiem… Conductor Celso Antunes prepared us for fireworks and passion … by the close of the evening, the audience was left most assuredly with the hope that Antunes returns to conduct this or any other work he wants to, again and again. At the risk of using a made-up word, this was a conductorial tour de force: a big lengthy and complex work played with no interval, conducted with no score. Risky? Yes. Worth it? Yes. In the end, nothing could take away from the control and confidence of conductor Celso Antunes: his pacing was apt and calculated to give the big moments ample weight, even as the more introspective passages had room to breath and resonate.”

“Conductor Celso Antunes got the combined Belfast Philharmonic and Guinness Choirs off to a wonderfully atmospheric start in his Verdi Requiem with the Ulster Orchestra on Friday… it was good to hear so many of the work’s moments of tenderness and warmth conveyed with sensitivity. The care with which Antunes sculpted individual choral lines and ensured musically sound balances was commendable, as was his concern not to overpower the vocal soloists.“

 

"Under Celso Antunes’direction, all musicians, spread all over the church, could perform with absolute precision: the spatial sound effects were perfectly achieved…"

"The Adhoc Ensemble and the solo singers, all directed by Celso Antunes, collaborated in what was a highly polished and expressive performance…"

 
"Celso Antunes conducted from the middle of the church, where all instrumental groups were scattered, getting from the players the most sensitive nuances"

"…The Camerata Fukuda and its Chief Conductor, Celso Antunes, started their concert with an impetuous and energetic rendering of C.P.E. Bach’s string symphonies… Under Antunes’s delicate and exhuberant direction, both Elgar’s Serenade  and Grieg’s Holberg Suite sounded contagiously beautiful…"

 

"Brazilian conductor Celso Antunes knows how to get the most out of all dances, including Tangos and Mambos: This is sensational music making, the Deutsche Staatsphilharmonie plays for him with luxurious strings and with a lavish orchestral brass sound..."

"Antunes conducted during the fast three hours of the concert bouncing, curling and knuckling himself, letting his hands speak and extracting the most out of the players... He's certainly made an impact on the musicians, the audience could feel the joy in the playing. Antunes is an effervescent conductor, with a fine feeling for rhythms and long cantabile lines..."

"Antunes, appointed in 2002, transformed the choir from an honourably dull group that rarely lived up to its obvious potential into the most dynamic and forward-looking of performing ensembles that Ireland has ever known. His programming with the NCC has been unrivalled in its scope and daring, the choir regularly attracts the world's leading choral conductors for its concerts. […]The choir's five years under Antunes will be seen as a golden age for professional choral singing in Ireland."

"The Camerata Fukuda under Celso Antunes plays Mozart's "Divertimento in F major" and Shostakovitch's Chamber Symphony opus 110" with brilliant verve and great passion: an absolutely lively and stirring performance!"

"Celso Antunes has presented us with a moving new interpretation of Michael Tippett's oratorio A Child of our Time: with great accuracy, Antunes gets to the core of this emotionally highly charged music."

"Energy and dramatic tension: These are the words that come to one's mind when listening to Celso Antunes' performance of Beethoven's "Eroica" - a performance full of vitality and accuracy!"

"Celso Antunes proved again his masterly powers of evocation and passionate, direct presentation."

"Celso Antunes is one of those conductors who treats the most demanding of modern scores as a challenge to be met as painstakingly as a familiar classic. His Xenakis had that aura of fearlessness, of mastery of the almost but not quite impossible, which this composer's music needs...Antunes treated this music (Morales' Requiem) to a mesmerizing, sonorous, slow unfolding… As ever, Antunes's performances were notable for their fine observation of stylistic differences."

"The conductor Celso Antunes had a dynamic thrust that was at times simply dramatic, his command of the orchestra and chorus was absolutely first-rate!"

"Under the ‚Brazilian-Rheinländer' Celso Antunes the playing of Ensemble Contrasts delivers an always alert and flexible interpretation"

1) TIPPETT ENSEMBLE

Paulo Chagas „Sodoma“, music for voices, instruments and electronic sounds        
Tippett Ensemble/Helix Ensemble

Ltg: Celso Antunes    
Label: Sub Rosa, Belgien (SubCD 026-48, 1993))

Paulo Chagas  „Francis Bacon“, music for voices, instruments and electronic sounds

2)    CHAMP D’ ACTION
 
„Quincunx“, music by Flemish composers
Champ d’Action/ Ltg: Celso Antunes
Label: Megadisc, Belgien  (MDC 7869, 1994)

 Karel Goeyvaerts „The serial works“
Champ d’Action/ Ltg: Celso Antunes
Label: Megadisc, Belgien (MDC 7845, 1998)


3)    NEUES RHEINISCHES KAMMERORCHESTER (NRKO)

„Bilder aus Osten“, Musik für Streichorchester
NRKO / Ltg: Celso Antunes
Label: Paulus, Brasilien (CD 003300, 1997)

„Live in der Kölner Philharmonie“
NRKO / Ltg: Celso Antunes
Label: BME, Deutschland (LC 4852, 1998)


4) CAMERATA FUKUDA

Antonio Vivaldi  „Vier Jahreszeiten“
Violine: Elisa Fukuda / Camerata Fukuda
Ltg: Celso Antunes       Label: Comep, Brasilien (CD 6614-1, 1992)
J.S.Bach “Violinkonzerte”
Violine: Elisa Fukuda / Camerata Fukuda
Ltg: Celso Antunes     Label: Comep, Brasilien (CD 6651-6, 1995)

“Convergences”, Brazilian Music for Strings
Camerata Fukuda / Ltg: Celso Antunes
Label: Paulus, Brasilien (CD 005250, 2001)


“Camerata Fukuda”, Musik für Streicher
Solisten: Elisa Fukuda (Violine) und Fabio Presgrave (Violoncello)
Ltg: Celso Antunes       Label: Paulus, Brasilien (CD 008237, 2006)
 
 
5) CONTRASTS

Kurt Weill “Zaubernacht” (World premiere recording)
Ensemble Contrasts / Ltg: Celso Antunes
Label: Capriccio, Deutschland (LC 08748, 2002)


6) LJO NRW
   
“Musik auf Burg Langendorf”, Werke bei Respighi, Krek und Mendelssohn
Landesjugendkammerorchester NRW / Ltg: Celso Antunes
Label: LJO NRW/WDR, Deutschland (DDD 2000, 2000)
 
 
7) THE NATIONAL CHAMBER CHOIR OF IRELAND
 
„Ad Multos Annos“, Contemporary Choral Works commissioned by
The National Gallery of Ireland
The National Chamber Choir of Ireland / Ltg: Celso Antunes
Label: NCC/National Gallery, Irland
 
       
“Quasi una Musica”, Werke bei Frank Corcoran
Darin: “Quasi Aspects of an Irish Poem”, für Chor und Violine
Violine: Catherine Leonard / NCC / Ltg: Celso Antunes
Label: Composers’ Art Label / zeitklang Musikproduktion, Deutschland (2006)


„Contemporary Music from Ireland“, Volume 5
Darin: Elaine Agnew „Bread“, für Chor a cappella
NCC / Ltg: Celso Antunes
Label: CMC, Irland (CD 05)

PROGRAMME:
BACH: Cantata Nº 62
SHOSTAKOVICH: Chamber Symphony in C minor (Op. 110a).
MENDELSSOHN: Sinfonia for Strings No. 10 in B minor
BACH: Cantata No. 36

26 November at 20.15
Philharmonie Haarlem
01 December at 20.15
Schouwburg het Park

Holland Synfonia
Jacques Zoon - Flute
Celso Antunes - Conductor

PROGRAMME:
KNOX: Orchesral Suite (Haarlem only)
GRIEG: Holberg Suite (Hoorn only)
TCHAIKOVSKY: Symphony Nr. 1
INTERVAL
NIELSEN: Concerto for Flute and Orchestra